Questions, answered

SyncLab is in a closed beta on Mac and Windows. Join the waitlist with your email and we'll write to you when a spot opens — we invite testers in batches so we can actually read and act on the feedback. Pricing hasn't been announced yet; SyncLab isn't on sale.

Your video and audio are processed on your computer and are never uploaded — there's no cloud render step, and no account is needed to sync. SyncLab does send some anonymous diagnostics (never your media); see our Privacy Policy for exactly what.

SyncLab exports a ready-to-edit timeline as FCPXML (for DaVinci Resolve) and CMX 3600 EDL. Premiere Pro support is on the way. Lanes, speeds and bin structure are preserved.

It's designed to work with footage from any camera — mirrorless, cinema cameras, action cams and phones — as long as the clips share a common audio reference. Mixed cameras and formats in one project are expected, not a problem.

Yes. High-frame-rate and variable-speed clips are detected automatically and placed at the correct speed, so ramps and slow-mo shots land in the right spot without manual fiddling.

It runs reliably on multi-camera projects — five-camera shoots are stable today, and we're pushing that further. If you're working with a bigger rig, we'd love to hear how it goes.

Both. SyncLab is a native desktop app for macOS and Windows.

Nothing is hidden from you. Every clip is marked as synced, low-confidence, or needs-a-look, so you can glance at the timeline and know exactly what (if anything) to double-check.

We'll ship v1.0 when it's genuinely solid — not before. We'd rather be late than ship something that mangles your timeline.

Email beta@ctlab.app (or use the in-app feedback button). Include your OS and a short description — your feedback directly shapes the release.